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From The Beauty of the Husband. A Fictional Essay in 29 TangosXII. You want to see how things were going from the husband’s point of view⎯let’s go round the back,there stands the wifegripping herself at the elbows and facing the husband.Not tears he is saying, not tears again. But still they fall. She is watching him.I’m sorry he says. Do you believe me. Watching. I never wanted to harm you. Watching. This is banal. It’s like Beckett. Say something! I believe your taxi is here she said.He looked down at the street. She was right. It stung him, the pathos of her keen hearing. There she stood a person with particular traits, a certain heart, life beating on its way in her. He signals to the driver, five minutes. Now her tears have stopped. What will she do after I go? he wonders. Her evening. It closed his breath.Her strange evening. Well he said. Do you know she began.What. If I could kill you I would then have to make another exactly like you. Why. To tell it to. Perfection rested on them for a moment like a calm lake. Pain rested. Beauty does not rest. The husband touched his wife’s templeand turned and randown the stairs.
Correspondents When you come on Thursday, bring me a letter. We have the language of stuffed birds, teacups. We don’t have the language of bodies. My husband will be here. I shall inquire about your wife, stirring his cup with a thin spoon, and my hand shall not tremble. Give me the letter as I take your hat. Mention the cold weather. My skin burns at the sight of you. We skim the surface, gossip. I baked this cake and you eat it. Words come from nowhere, drift offlike the smoke from his pipe. Beneath my dress, my breasts swell for your lips, belly churns to be stilledby your brown hands. The secret life of Gulliver, held down by strings of pleasantries. I ache. Lateryour letter flares up in the heat and is gone. Dearest Beloved, pretend I am with you . . . I readyour dark words and do to myself things you can only imagine. I hardly know myself. Your soft, white body in my arms . . . When we part, you kiss my hand, bow from the waist, all passionpatiently restrained. Your servant, Ma’am. Now you write wild phrases of love. The words blur as I cry out once. Next time we meet, in drawing-room or garden, passing our letters cautiously between us, our eyes fixed carefully on legal love, think of me hereon my marriage-bed an hour after you’ve left. I have called your name over and over in my headat the point your fiction brings me to. I have kissed your sweet name on the paper as I knelt by the fire.